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Brooklyn, NY, United States

Festa K.,No Collective | Barnacle J.,No Collective | Nakai Y.,No Collective
Leonardo Music Journal

An account of the use of technology in the first two works from No Collective's Concertos series to overlay a multiplicity of networks (piconets) onto the apparently singular space and time of the performance, so that various modes of "solo" audience may be foregrounded. © 2014 ISAS. Source

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