Kingdom F.A.A.,McGill Vision Research
Vision Research | Year: 2011
The past quarter century has witnessed considerable advances in our understanding of Lightness (perceived reflectance), Brightness (perceived luminance) and perceived Transparency (LBT). This review poses eight major conceptual questions that have engaged researchers during this period, and considers to what extent they have been answered. The questions concern 1. the relationship between lightness, brightness and perceived non-uniform illumination, 2. the brain site for lightness and brightness perception, 3 the effects of context on lightness and brightness, 4. the relationship between brightness and contrast for simple patch-background stimuli, 5. brightness " filling-in", 6. lightness anchoring, 7. the conditions for perceptual transparency, and 8. the perceptual representation of transparency. The discussion of progress on major conceptual questions inevitably requires an evaluation of which approaches to LBT are likely and which are unlikely to bear fruit in the long term, and which issues remain unresolved. It is concluded that the most promising developments in LBT are (a) models of brightness coding based on multi-scale filtering combined with contrast normalization, (b) the idea that the visual system decomposes the image into " layers" of reflectance, illumination and transparency, (c) that an understanding of image statistics is important to an understanding of lightness errors, (d) Whittle's log. W metric for contrast-brightness, (e) the idea that " filling-in" is mediated by low spatial frequencies rather than neural spreading, and (f) that there exist multiple cues for identifying non-uniform illumination and transparency. Unresolved issues include how relative lightness values are anchored to produce absolute lightness values, and the perceptual representation of transparency. Bridging the gap between multi-scale filtering and layer decomposition approaches to LBT is a major task for future research. © 2010 Elsevier Ltd.
Kingdom F.A.A.,McGill Vision Research
Current Biology | Year: 2012
Our two eyes' views of the outside world are slightly different, providing the basis for stereopsis. A new study has found evidence that the human visual system has separately adaptable channels for adding and subtracting the neural signals from the two eyes, supporting an unconventional view of the initial stages of stereopsis. © 2012 Elsevier Ltd.
Gheiratmand M.,McGill Vision Research |
Mullen K.T.,McGill Vision Research
Scientific Reports | Year: 2014
We measure the orientation tuning of red-green colour and luminance vision at low (0.375 c/deg) and mid (1.5 c/deg) spatial frequencies using the low-contrast psychophysical method of subthreshold summation. Orientation bandwidths of the underlying neural detectors are found using a model involving Minkowski summation of the rectified outputs of a bank of oriented filters. At 1.5 c/deg, we find orientation-tuned detectors with similar bandwidths for chromatic and achromatic contrast. At 0.375 c/deg, orientation tuning is preserved with no change in bandwidth for achromatic stimuli, however, for chromatic stimuli orientation tuning becomes extremely broad, compatible with detection by non-oriented colour detectors. A non-oriented colour detector, previously reported in single cells in primate V1 but not psychophysically in humans, can transmit crucial information about the color of larger areas or surfaces whereas orientation-tuned detectors are required to detect the colour or luminance edges that delineate an object's shape.
Huang P.C.,McGill Vision Research
Journal of vision | Year: 2012
To assess the effects of spatial frequency and phase alignment of mask components in pattern masking, target threshold vs. mask contrast (TvC) functions for a sine-wave grating (S) target were measured for five types of mask: a sine-wave grating (S), a square-wave grating (Q), a missing fundamental square-wave grating (M), harmonic complexes consisting of phase-scrambled harmonics of a square wave (Qp), and harmonic complexes consisting of phase-scrambled harmonics of a missing fundamental square wave (Mp). Target and masks had the same fundamental frequency (0.46 cpd) and the target was added in phase with the fundamental frequency component of the mask. Under monocular viewing conditions, the strength of masking depends on phase relationships among mask spatial frequencies far removed from that of the target, at least 3 times the target frequency, only when there are common target and mask spatial frequencies. Under dichoptic viewing conditions, S and Q masks produced similar masking to each other and the phase-scrambled masks (Qp and Mp) produced less masking. The results suggest that pattern masking is spatial frequency broadband in nature and sensitive to the phase alignments of spatial components.
Kingdom F.A.A.,McGill Vision Research |
Libenson L.,McGill Vision Research
Journal of Vision | Year: 2015
We demonstrate a new type of interaction between suprathreshold color (chromatic) and luminance contrast in the context of binocular vision. When two isoluminant colored disks of identical hue but different saturations are presented to different eyes, the apparent saturation of the resulting "dichoptic" mix is close to that of the more saturated patch if presented binocularly. This result is commensurate with previous findings using luminance contrast and is close to the scenario termed "winner-takeall." However, when binocularly matched luminance contrast is added to the dichoptic saturation mixture, the apparent saturation of the mixture shifts away from winner-take-all towards the average of the two dichoptic saturations. The likely cause of this effect is that the matched luminance contrasts reduce the interocular suppression between the unmatched color saturations. We suggest that the presence of binocularly matched luminance contrast promotes the interpretation that the dichoptic color saturations, even though unmatched, nevertheless originate from the same object. We term this idea the "object commonality" hypothesis. © 2015 ARVO.