Liverpool Hope University is a public university in Liverpool, England. As the only ecumenical university in Europe its work has been shaped by Christian principles but embraces those of all faiths and none. The university comprises three faculties – Arts and Humanities, Education, and Science – organised into 19 departments.The university has two campuses, the main Hope Park campus is located in the leafy suburb of Childwall and the second campus, The Creative Campus, is located in Everton, close to the city centre. The university attracts students from some 65 countries worldwide. Liverpool Hope has the highest number of doctorates amongst its staff of all the post-92 universities in England and the best retention rate against benchmark of all the universities in the North West of England. Wikipedia.
Agency: Cordis | Branch: FP7 | Program: CSA | Phase: ICT-2013.8.1 | Award Amount: 1.09M | Year: 2013
This project aims to bridge communities of creators with communities of technology providers and innovators, in a collective, strategic intelligence/roadmapping effort to streamline, coordinate and amplify collaborative work towards developing, enhancing, and mainstreaming new ICT technologies and tools by addressing the needs of different sectors of the creative industries (e.g. art, culture, publishing, design etc.)\n\nDespite the profound impact of ICT in most of societys daily activities, ICT engagement with art seems to have been left a bit behind. To fill this gap, ICT use could help make art more widely accessible, more inclusive, and generate significant awareness around it. The project will involve creators who currently use ICT tools in their everyday creative practices, and engage them in a collective dialogue with ICT researchers and developers, with a focus of empowering creators by giving them access to new forms of facilitation, enhancement, and contextualization of the creative process and its product--the artistic inspiration, pursuit, and possibilities, as well as the artwork itself. The focus will be the future ICT R&D agenda, which will develop new tools for supporting the creative processes as well as enhancing and improving existing tools and platforms to be more adapted to, or to better care for, the needs of specific creators groups. Thus, the project will also contribute to overcoming the existing fragmentation in efforts by bringing together the relevant stakeholder communities, and to the creation of a critical mass of ICT and creative communities working together. The main target users will be individual creators/workers and professionals, as well as SMEs, creative groups, communities, and organizations. Main results will include recommendations for policy, planning, and decision making for the creative industries community and convergent plans (roadmaps) for specific future actions and initiatives developments for each creative sector.
Agency: Cordis | Branch: H2020 | Program: RIA | Phase: EURO-3-2014 | Award Amount: 2.74M | Year: 2015
In 2013, as a response to rising inequalities, poverty and distrust in the EU, the Commission launched a major endeavour to rebalance economic and social policies with the Social Investment Package (SIP). RE-InVEST aims to strengthen the philosophical, institutional and empirical underpinnings of the SIP, based on social investment in human rights and capabilities. Our consortium is embedded in the Alliances to Fight Poverty. We will actively involve European citizens severely affected by the crisis in the co-construction of a more powerful and effective social investment agenda with policy recommendations. This translates into the following specific objectives: 1. Development of innovative methodological tools for participative research, involving mixed teams of researchers, NGO workers and people from vulnerable groups in the co-construction of knowledge on social policy issues; 2. Diagnosis of the social damage of the crisis in terms of (erosion of) human rights, social (dis)investment, loss of (collective) capabilities; 3. Analysis of the relationships between the rise of poverty and social exclusion, the decline of social cohesion and trust, and the threats to democracy and solidarity in the EU; 4. Development of a theoretical model of social investment, with a focus on the promotion of human rights and capabilities; 5. Application of this model to active labour market policies and social protection: evaluation of policy innovations through qualitative and quantitative analyses; 6. Application of the same model to public intervention in five selected basic service markets: water provision, housing, early childhood education, health care and financial services, through qualitative and quantitative analyses; 7. Analysis of the macro-level boundary conditions for successful implementation of the SIP; 8. Capacity building in civil society organisations for the promotion of the European social investment agenda, through networking and policy recommendations.
Sultan N.,Liverpool Hope University
International Journal of Information Management | Year: 2010
Educational establishments continue to seek opportunities to rationalize the way they manage their resources. The economic crisis that befell the world following the near collapse of the global financial system and the subsequent bailouts of local banks with billions of tax payers' money will continue to affect educational establishments that are likely to discover that governments will have less money than before to invest in them. It is argued in this article that cloud computing is likely to be one of those opportunities sought by the cash-strapped educational establishments in these difficult times and could prove to be of immense benefit (and empowering in some situations) to them due to its flexibility and pay-as-you-go cost structure. Cloud computing is an emerging new computing paradigm for delivering computing services. This computing approach relies on a number of existing technologies, e.g., the Internet, virtualization, grid computing, Web services, etc. The provision of this service in a pay-as-you-go way through (largely) the popular medium of the Internet gives this service a new distinctiveness. In this article, some aspects of this distinctiveness will be highlighted and some light will be shed on the current concerns that might be preventing some organizations from adopting it. © 2009 Elsevier Ltd. All rights reserved.
Young C.,Manchester Metropolitan University |
Light D.,Liverpool Hope University
Transactions of the Institute of British Geographers | Year: 2013
This paper follows the mobilities between 1958 and 1990 of the dead body of Dr Petru Groza (1884-1958), a significant political figure in post-World War II socialist Romania, to explore the implications for human geography of engaging with the dead. Although there has been a considerable interest in 'geographies of the body' and 'deathscapes', human geography has had relatively little to say about dead bodies. The paper draws on literatures from death studies and dead body politics, as well as research in memory studies, history, anthropology and law, to develop an interdisciplinary approach to understanding the role of the corpse in society, and argues that human geography should do more to consider how dead bodies contribute to the formation of contemporary geographies. To illustrate these points the analysis first explores how the treatment of Groza's corpse and the 'deathwork' associated with it is an example of 'dead body politics'. Second, the analysis draws out the agency of the corpse and its role in a variety of 'deathscapes'. The conclusion considers the implications for human geography of engaging with 'corpse geographies' more generally. © 2012 The Authors. Transactions of the Institute of British Geographers © 2012 Royal Geographical Society (with the Institute of British Geographers).
Sultan N.A.,Liverpool Hope University
International Journal of Information Management | Year: 2011
Cloud computing is an emerging new computing paradigm for delivering computing services. The approach relies on a number of existing technologies e.g., the Internet, virtualization and grid computing. However, the provision of this service in a pay-as-you-go way through the popular medium of the Internet renders this computing service approach unique compared with currently available computing service modalities. This article highlights some aspects of this uniqueness and also explores some of the concerns that might be preventing some companies from adopting it. Notwithstanding these concerns, it is argued in this article that cloud computing is likely to prove commercially viable for many small and medium enterprises (SMEs) due to its flexibility and pay-as-you-go cost structure, particularly in the current climate of economic difficulties. A case study of a cloud experience by a British SME is also presented in this study in order to further highlight the perceived values of cloud computing in terms of cost and efficiency for real small enterprises. © 2010 Elsevier Ltd. All rights reserved.
Agency: GTR | Branch: AHRC | Program: | Phase: Research Grant | Award Amount: 8.21K | Year: 2014
Elena Boschis research has focused on popular music in cinema, which necessarily demands an expertise in how to understand low attention cultural consumption. Moreover, given her particular interest in British, Spanish, and Italian Cinema, she has developed theoretical approaches that are culturally-infused, combining formal analysis with an attention to social and political issues. Her background in popular music studies and film studies, and her current position as a lecturer in the Department of Media and Communication at Liverpool Hope University mean that Elena can offer the necessary interdisciplinary perspective that developing this expert workshop requires. She has served on the organising committee of the Biennial Conference of the International Association of Popular Music Studies at the University of Liverpool (2009) and has recently received internal funding to host a one-day symposium on Gender and Sexuality in British Cinema after Thatcher, which will result in a special issue of selected proceedings for the Journal of British Cinema and Television. She has co-edited with Anahid Kassabian and Marta García Quiñones (co-investigators in this project) the collection Ubiquitous Musics (Ashgate, 2013).
Agency: GTR | Branch: EPSRC | Program: | Phase: Research Grant | Award Amount: 92.02K | Year: 2015
It is predicted that Internet video streaming and downloads will account for more than 76 percent of all consumer Internet traffic in 2018. The tremendous growth of multimedia traffic has given rise to the demand for highly scalable and efficient content retrieval and dissemination in the Internet. However, the Internet was originally designed to enable host-to-host communication and lacks natural support for content distribution. In this context, Information-Centric Networking (ICN) has emerged as a new paradigm for future Internet, where the network interprets, processes, and delivers name-identified content to the users independently of the host location. ICN deploys in-network caching that enables content to be retrieved from multiple locations to achieve low dissemination latency and network traffic reduction. Serving as its fundamental building block, efficient in-network caching is vitally important for ICN. The distinct features of in-network caching such as transparency, ubiquity and fine-granularity have made traditional caching theory, models and optimization approaches inapplicable to ICN caches. Therefore, significant research efforts have been devoted to tackling the very challenging problem of in-network caching. The existing research works have been primarily focused on the simulation studies of ICN caching. However, analytical modelling of ICN cache networks is indispensable for the understanding of the intrinsic behaviors and features of in-network caching. The analytical models reported in the current literature for ICN mainly adopt unrealistic assumptions, such as independent reference model and unknown chunk-level object popularity, and are commonly based on the inefficient Leave Copy Everywhere (LCE) cache decision policy only. Furthermore, due to both increasing energy cost and CO2 emission, energy efficiency of networks and systems becomes a dramatically growing concern. Consequently, energy-efficiency of ICN has also been investigated by some studies, which are mainly based on unrealistic models of topology and content requests. To the best of our knowledge, analytical modelling and optimization of cache resource allocation for energy-efficient information-centric networking with transparent, ubiquitous and fine-granular caches has not been reported in the existing literature. This project will investigate in-network cache resource allocation to achieve energy-efficient and timely content dissemination in the context of Information-Centric Networks. To tackle this challenging problem progressively, our work will be focused on three major tasks: 1) design of an intelligent cache decision policy with low complexity for ICN to reduce cache redundancy, increase the cache diversity and leverage the correlation between content requests; 2) development of novel analytical tools for evaluating the energy efficiency and performance of the proposed cache decision policy in terms of cache hit ratio and request response time with multimedia applications and heterogeneous network conditions; 3) development of a centralized optimization algorithm to investigate the impact of traffic conditions and network environments on the efficiency of cache allocation and a distributed cache allocation scheme that allocates appropriate cache locations of content chunks to minimize the energy consumption. The insights into energy-efficient cache allocation obtained in the aforementioned Tasks 1 and 2 will be feed into the distributed management scheme design in Task 3. The research proposed in the project is believed to among the first of its kind on the analysis and optimization of in-network cache allocation for energy-efficient ICN. The implications of this research will contribute directly to ICN in-network caching in both theoretical and practical sides and pave the way for future green Internet with multimedia applications.
Agency: GTR | Branch: Innovate UK | Program: | Phase: Knowledge Transfer Partnership | Award Amount: 80.67K | Year: 2011
To analyse and develop the business proposition in international markets. To develop appropriate implementation strategies to introduce into selected markets.
Paramei G.V.,Liverpool Hope University
Journal of the Optical Society of America A: Optics and Image Science, and Vision | Year: 2012
Color discrimination was estimated using the Cambridge Colour Test (CCT) in 160 normal trichromats of four life decades, 20-59 years of age. For each age cohort, medians and tolerance limits of the CCT parameters are tabulated. Compared across the age cohorts (Kruskal-Wallis test), the Trivector test showed increases in the three vectors, Protan, Deutan, and Tritan, with advancing age; the Ellipses test revealed significant elongation of the major axes of all three ellipses but no changes in either the axis ratio or the angle of the ellipse major axis. Multiple comparisons (Mann-Whitney test) between the cohorts of four age decades (20+;...; 50+) revealed initial benign deterioration of color discrimination in the 40+ decade, as an incremental loss of discrimination along the Deutan axis (Trivector test), and in the 50+ decade, as an elongation of the major axes of all three ellipses (Ellipses test). © 2012 Optical Society of America.
Agency: GTR | Branch: AHRC | Program: | Phase: Fellowship | Award Amount: 49.68K | Year: 2012
Incorporating culturally unfamiliar sound into ones own creative output has been an increasingly popular activity among electroacoustic music composers over the last few years; yet work of this nature is difficult to develop without being accused of appropriation or exploitation, and even of indulging in a contemporary version of musical exoticism, with its overtones of nineteenth-century colonialism. This project will explore the inclusion of cultural-specific sound in new electroacoustic music works (composition using technology to explore, create and perform sounds) by working collaboratively with Indian musicians and UK audiences for Indian music. Unlike traditional note-based instrumental music, which may engage with exotic musics through evocation, electroacoustic music can express exotic sound quotations literally, via audio sampling. This research will examine the process of collecting and incorporating Indian cultural sounds originating from Indian musical instruments into two new electroacoustic music compositions. The project, coordinated and supported by Milapfest (the UKs National Indian Arts Trust) based at Liverpool Hope University, will enable interaction with world-renowned musicians to establish a unique collaborative experience investigating the perceptions and understanding of cultural sound (that is, sound experienced as culturally specific). Practice-led research (composition work) will question the openness of the electroacoustic music sound world through the borrowing of sounds from a culture different to my own cultural background and experience, and will be documented in the form of an online research blog and presented more formally in a new journal article. The musical output, testing a variety of methodologies, techniques and tools to disguise or emphasise cultural manifestation in electroacoustic music creation will build upon a discourse concerning the benefits, implications and issues of cultural sound use. Through these outputs, this research aims to address a current lack of contextual documentation on the now-frequent act of incorporating culturally unfamiliar sound into creative output. Public concert presentation of the new works will unite the usually separate worlds of Indian music and electroacoustic music, while audience perspectives will collate public reception of exotic sound via interviews and questionnaires. Research dissemination at the International Computer Music Conference (ICMC) and Electronic Music Studies Network conference (EMS) will encourage further scholarly interest in, and consideration of, creative uses of cultural sound, while exposing aspects of Indian music to a research field traditionally unacquainted with these practices. Further to this, creating an online sound archive from the Indian musical instrument recordings will establish a freely-accessible education and research resource appearing within Milapfests online portal. Commissioning new electroacoustic music works making use of the sound archive will continue the researchs influence and impact beyond the projects funded duration.