Ars Electronica Linz GmbH is an Austrian cultural, educational and scientific institute active in the field of new media art, founded in 1979. It is based at the Ars Electronica Center, which houses the Museum of the Future, in the city of Linz. Ars Electronica’s activities focus on the interlinkages between art, technology and society. It runs an annual festival, and manages a multidisciplinary media arts R&D facility known as the Futurelab. It also confers the Prix Ars Electronica awards. Wikipedia.
Agency: Cordis | Branch: H2020 | Program: CSA | Phase: ISSI-1-2014 | Award Amount: 3.57M | Year: 2015
SPARKS is an awareness-raising and engagement project to promote Responsible Research and Innovation (RRI) across 29 European countries (EU members plus Switzerland). It gathers 33 organisations as partners and linked Third Parties. SPARKS will organise an interactive touring exhibition and 232 innovative participatory activities on RRI (science cafs, pop-up Science Shops, incubation activities and scenario workshops) across Europe. The European dimension of the project is paired with a strong emphasis on local implementation through 29 experienced science communicators (one per country) that will adapt the exhibition and activities to their contexts and establish local multi-stakeholder collaborative partnerships. SPARKS will deploy complementary dissemination tools and actions to maximise its outreach and impact. It will collect and analyse important data on RRI throughout Europe and build on its learning to: - Further build the capacity of science actors and policy makers to promote RRI; - Better understand societys vision, interests and readiness concerning RRI in health; - Provide policy recommendations to feed R&I policies with societal inputs and facilitate RRI; - Develop the capacity of a group of European stakeholders to participate in RRI. SPARKS will use the appealing topic technology shifts in health and medicine to reach out to a wider public, make the RRI concept meaningful to it and establish a direct link with one of the priority societal challenges of Horizon 2020. Creative disruptions in the form of artistic inputs and questioning will help it to engage more stakeholders. SPARKS builds upon a number of relevant EU projects from RRI Tools to PERARES, from PLACES to VOICES or Twist and powerful European/ international networks the European Network of Science Centres and Museums (Ecsite), the international network of Science Shops (Living Knowledge) and the European Regions Research and Innovation Network (ERRIN).
Agency: Cordis | Branch: FP7 | Program: CSA-SA | Phase: SiS-2010-126.96.36.199 | Award Amount: 1.65M | Year: 2011
Inspired by the merging of the artists studio with the research lab to create a hybrid creative space, STUDIOLAB proposes the creation of a new European platform for creative interactions between art and science. STUDIOLAB brings together major players in scientific research with centres of excellence in the arts and experimental design and leverages the existence of a new network of hybrid spaces to pilot a series of projects at the interface between art and science including Le Laboratoire (Paris), Science Gallery (Trinity College Dublin), Royal College of Art (London), Ars Electronica (Linz) and MediaLab Prado (Madrid) and STUDIOLAB will involve activities along three key dimensions: incubation of art-science projects, education and public engagement.
Mara M.,Ars Electronica |
Mara M.,University of Koblenz-Landau |
Appel M.,University of Koblenz-Landau
Computers in Human Behavior | Year: 2015
Human responses to android and humanoid robots have become an important topic to social scientists due to the increasing prevalence of social and service robots in everyday life. The present research connects work on the effects of lateral (sideward) head tilts, an eminent feature of nonverbal human behavior, to the experience of android and humanoid robots. In two experiments (N = 402; N = 253) the influence of lateral head tilts on user perceptions of android and humanoid robots were examined. Photo portrayals of three different robots (Asimo, Kojiro, Telenoid) were manipulated. The stimuli included head tilts of -20°, -10° (left tilt), +10°, +20° (right tilt) and 0° (upright position). Compared to an upright head posture, we found higher scores for attributed human likeness, cuteness, and spine-tinglingness when the identical robots conveyed a head tilt. Results for perceived warmth, eeriness, attractiveness, and dominance varied with the robot or head tilts yielded no effects. Implications for the development and marketing of android and humanoid robots are discussed. © 2014 Published by Elsevier Ltd. Source
News Article | January 17, 2016
Intel joined forces with Ars Electronica Futurelab to set the Guinness World Record for having the most number of unmanned aerial vehicles in the air at the same time, but that's just skimming the surface. Intel is very enthusiastic about drones. In fact, Intel's boss Brian Krzanich said at the 2016 CES in Las Vegas that drones will light up the skies to replace fireworks down the road. "I see a future where fireworks and all their risks of smoke and dirt are a thing of the past, and they're replaced by shows that have unlimited creativity and potential – and powered by drones," he said. Back in August last year, the company invested $60 million in Chinese drone maker Yuneec Holding. German drone maker Ascending Technologies also moved under Intel's umbrella on Jan. 4, 2016. The company likewise made an undisclosed investment in Airware of San Francisco. "Intel gains expertise and technology to accelerate the deployment of Intel RealSense technology into the fast growing drone market segment," Intel says in a blog post about having Ascending Technologies on board. The company will continue to work with the Ascending Technologies team to keep on providing support for its present customers while also working hand-in-hand with Intel's Perceptual Computing team to come up with a UAV technology that will soon "help drones fly with more awareness of their environments." On Nov. 4, 2015, Intel and Futurelab pre-programmed 100 drones and launched them in the sky to show off a spectacular light show synchronized with Beethoven's Fifth Symphony played by a live orchestra. Albeit the show was filmed last year, the video was initially showcased during the keynote speech of Krzanich at the 2016 CES on Jan. 5. These drones, which were fitted with LEDs, concurrently lit up the skies over Ahrenlohe Airfield near Hamburg, Germany for seven minutes. They climbed as high as 328 feet to show off their choreographed routines. The light show ended with the drones forming the 250-meter wide (820 feet) logo of Intel. A Guiness World Record judge was present during the show to verify and award the new record to the two companies. Horst Hörtner, Ars Electronica Futurelab's director, said the new record is a result of the companies' years of hard work. "Drone 100 was a crazy idea that came out of a hallway conversation inside Intel, and now it has become a reality," said Anil Nanduri, the general manager of New Markets in Intel's Perceptual Computing Group. "Working with Ars Electronica Futurelab, we were able to create a formation of 100 UAVs in the sky, creating amazing images and ending with the Intel logo." Weighing 700 grams (1.5 pounds) each, the quadcopters were built by Ascending Technologies. Futurelab member Andreas Jalsovec said Intel developed the ground controls software, which required a powerful computer to make the show possible. Chief pilot Martin Morth said that drones do not always look at people, "sometimes, it's the drones that you should be looking at." You can watch the video below.
On November 4, 2015, a marvelous sight appeared in the night sky near Hamburg, Germany at the Ahrenlohe Airfield. A team assembled by Intel and Ars Electronica Futurelab flew 100 unmanned drones above the Ahrenloe Airfield, not far from the city, creating series of extraordinary 3-D light sculptures, flashing and dancing to the soundtrack of a live orchestra playing below. The team broke the world record in a category few people have probably heard of: Most Unmanned Aerial Vehicles (UAVs) Airborne Simultaneously.